9 banquette ideas to steal from high-end kitchens
A dining area off of chef Joaquim Splichal’s San Marino kitchen features a sleek banquette that is perfect for his two teenage sons.
(Ricardo DeAratanha / Los Angeles Times)Banquettes aren’t just for restaurants. Have you been considering a booth, breakfast nook or banquette for your kitchen? Here are nine ideas -- in a wide variety of styles -- to steal from our archives.
A custom corner booth with orange hides is framed by “Galileo Glass” wallpaper from Brooklyn-based design studio Eskayel inside Jerome Dahan’s Santa Monica home.
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From the banquette inside the sun-filled first-floor home of David Golubchik and Rina Welles, the outdoors is always present.
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A view of the backyard and swimming pool from the Santa Monica kitchen of David Golubchik and Rina Welles.
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Architect Don Dimster designed a 12-foot-long upholstered bench in this Venice duplex with a built-in end bookcase as a place to sit, work or linger over a breakfast coffee. Part of the white-oak plank table can rise to bar height when Dimster — pictured with wife Lisa, left, and sister-in-law Noreen, right — wants to entertain.
(Gary Friedman / Los Angeles Times)
Instead of a separate dining room, an L-shaped upholstered banquette lies at one end of the La Canada Flintridge living room of Denise and Don Hahn, forming a cozy booth that seats eight. “After all, we love getting the nice booth in the restaurant,” Denise says. “Now we get it every night.”
(Irfan Khan / Los Angeles Times)
Lyndall Hobbs added a breakfast banquette and TV nook off her kitchen at one end of her Hollywood Hills home and opened the living room in the middle.
(Robert Gauthier / Los Angeles Times)
A sophisticated new banquette, paired with a marble-topped Saarinen table and vintage H.W. Klein Rosewood dining chairs, adds a distinctly modern feel to the kitchen of this Edward Fickett home in Nichols Canyon.
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Intricate Japanese joints in kitchen table chairs and table base made by German woodworker Stefan Fabry, for the Marina Del Rey home of Alan Pomerantz, back.
(Ricardo DeAratanha / Los Angeles Times)